American artist and sculptor Joseph Cornell (1903-72) was predominantly a collector of souvenirs, old prints, photographs, music scores, theatrical memorabilia, and French literature, who by 1936, established a signature style of his poetic assemblage with these collections. After losing his father at the tender age of 14, he moved with his mother and three siblings, to the Queens locale of New York City. His characteristic works were the boxes he shaped out of wood (like “Medici Slot Machine”), glass, and innumerable objects & photos. Joseph collected his raw materials from the New York City’s antique and secondhand shops, which helped him in transmitting a prosaic and delightful sensation to his art. bonus slot99 Cornell’s miniature wooden boxes, cautiously filled with assorted objects, were largely enclosed with glass, imparting a three-dimensional look. Selected carefully, these objects held no inherent value alone, but when pooled together, divulged a deeper connotation. His incongruous and unique juxtapositions were elegiac, evoking links to ‘Surrealist’ traits, such as mystery, fantasy, the subconscious, dreams, etc. Joseph’s choice of subjects was unbound, such as Hollywood stars, astrology, birds, ballet, opera, travel, Medicis of the Renaissance, artists, poetry (Emily Dickinson), and the cosmos. His materials were also cutouts from newspapers, butterfly wings, marbles, and the snippets of wallpaper, souvenirs and memorabilia, sky charts, old advertisements, broken glassware, music boxes, feathers, metal springs, maps, seashells, mirrors, and plastic ice cubes. “Medici Slot Machine” is one of the first boxes Cornell fashioned in his basement workshop. “Medici Slot Machine” is a dream-machine exhibit, based on a young ‘Renaissance’ prince, Piero de Medici of Florence. It combines the prince’s puzzling world with a contemporary vending machine. He added many minute portraits at the sides that look like the clips of movie, some of which are of the same young man in the portrait. Joseph also inserted a grid of wires over the images, which looks like the exterior of windowpanes. Close to the base is a glass shelf, below which are small window-like openings with toys in them, while the midpoint displayed a compass. The original painting is in the Walters Art Gallery in Baltimore, Md.